"Impressions" by John Coltrane on Impulse! A-42

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"Impressions" by John Coltrane on Impulse! A-42

Impulse! is synonymous with Coltrane.

Any Coltrane LP on Impulse! will offer the listener some very special jazz. These are classic albums. I’m aiming to collect quite a few more. This one is “Impressions”, and it features both live takes and studio recordings spanning about one and a half years. Outside of the the classic Coltrane quartet, three other cats are featured. On the first tune “India”, Eric Dolphy plays the bass clarinet, which is always a good thing. Reggie Workman also make an appearance on the first tune. On the final tune Roy Haynes plays the drums. All the tunes are great but if I had to choose a favorite it would probably be the ferocious title track. It’s a brilliant display of improvisational prowess. Of course, “India” is very engaging as well. I love Coltrane’s playing on this and Eric Dolphy really brings the music to an even higher plane. The sound on the live takes feels quite natural. It feels like you sit there in the club with the band in front of you. It’s not perfect by any means. It just feels honest.

Like I said, this is a classic and I’m very happy to have been able to find it. These original first pressing Impulse! titles are not entirely easy to find. But, they are at least a bit cheaper than many original Blue Notes and Prestige titles for example. I guess they have risen in value quite a bit in recent years though. This particular copy was not cheap. I feel Impulse! is just as important as Blue Note, Prestige or Riverside. The label promoted new exciting paths for jazz, going into the future.

Questions for my readers: If we’re talking important record labels that helped shape modern jazz, do you have a favorite? Of all the recorded live material featuring Coltrane as a leader, which albums or tunes stand out to you the most?

Feels like spring is here in Stockholm and I’m happy to spend some relaxing days now together with my family over Easter. I hope you guys will have a nice Easter and keep safe. Stay tuned for more great titles from my shelves, cheers!

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"Out Front" by Booker Little on Candid CJM 8027

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"Out Front" by Booker Little on Candid CJM 8027

Here’s some unique and highly pleasurable jazz.

This albums contains quite a special brand of jazz. It’s very suggestive and creative. It’s smooth but challenging and full of inspiring passages. Booker Little has composed all the tunes, very impressive. These originals are highly interesting and far from your regular hard bop tunes. What a great trumpeter Booker is. Eric Dolphy is also present, and we know what a fabulous combination those two cats are together. Both are true masters of their craft and they complement each other in a superb way. Just listen to this album, Far Cry and the Five Spot albums to get a sense of what that partnership was all about. I also dig the playing and approach by Max Roach and his tympani. The other cats are Julian Priester on trombone, Art Davis and Ron Carter on double bass and Don Friedman on piano. A very nice group.

I have two copies of this album. Both copies has some flaws but I’m just happy to own this music on original vinyl. Maybe I’ll be able to upgrade to a NM copy someday, but for now these copies will do and they are very enjoyable to listen to. Loud and clear sound with superb detail, just some intermittent pops and clicks. After all, we’re talking 60 year old vintage vinyl…

I‘ll keep my eye out for an even better copy of this title, and also some other Booker Little titles on other labels. I’ve always held the trumpet as my favorite instrument in jazz and Booker Little is in my top 10 list of greatest trumpeters of all time, despite his short career. And in addition to being a master trumpeter this album really displays his wonderful compositional skills as well. A set of very unique tunes for sure. Another instrument that I find very interesting in jazz is the double bass. I find it very expressive, I love the sound and I’m so in awe of all the master bassists and their skills on this big instrument. Just now for example I’ve watched some instructional videos on YouTube featuring Gary Peacock and I’ve watched “An Evening with Eddie Gomez” as well, and I find it fascinating.

Question for my readers: As this is a trumpeter-led session, could you give me your top 5 albums which features a trumpeter as a leader? Think I’ve asked this before, but let’s do it again; favorite instrument in jazz?

I have 3 new albums coming to me on Tuesday next week. Looking forward to that. Some new blood into the collection. I hope you guys have added some great stuff to your collections so far this year as well. Enjoy your weekend, stay safe and stay tuned for more original vintage jazz vinyl… cheers!

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Cecil Payne Quartet & Quintet on Signal (S 1203)

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Cecil Payne Quartet & Quintet on Signal (S 1203)

A really rare find and a wonderful album.

Beautiful copy of this rare Cecil Payne LP (recorded in 1956) released on the small Signal label. I only have one other album on this label and that would be the wonderful Red Rodney session. These records are very hard to find. You almost never see them for sale. The music on this album is nice, very smooth hard bop. Cecil Payne has a lovely tone. Dark, sultry, like molasses, and he plays very lyrical. I have a couple of 7” on the Metronome label with him and he’s on Kenny Dorham’s “Afro-Cuban” album on Blue Note, but that’s it. I must check out more stuff that he released. The album is made up of two sessions, one with a quartet setting and one with a quintet. The quartet is: Payne on baritone, Duke Jordan on piano, Tommy Potter on double bass and Art Taylor on drums. Kenny Dorham on trumpet is added and completes the quintet. The two sessions have each their own flavor. Dorham making the difference. Both the quartet and quintet sounds wonderful though.

I must say, this record is in astonishing condition. It sounds like new. And the cover is in amazing condition, which for these Signals is pretty unusual I believe. Love the design of the jacket and the clean deep groove labels. It always feels pretty unreal when a vintage jazz LP from the 50’s is in this condition. Dreamy.

All tunes on this album are great, and if you haven’t heard this one do yourself a favor and check it out. I think you’ll dig it. If you like lyrical, smooth hard bop then you’ll not be disappointed.

I have just concluded a deal for three new records and I’m very excited about that. Two Blue Notes and one Prestige. I wanted to make sure I added some Blue Notes to the collection, cause it’s been a while since I did that. There are a plethora of titles that I want from the Blue Note catalogue and it’s time to try and secure some of them. The Prestige title is a long time want that I finally pulled the trigger on. It’s been waiting for me. Look out for these titles which will be posted on the site in due time.

Questions for my readers: Are you familiar with the work of Cecil Payne? If so, what are some of your favorite titles with him playing as a sideman or leader? Have you got any other albums on the Signal label that you can recommend?

I have the album on display on the turntable, it’s Friday and the weekend starts now which is so nice. I’m aiming to get some rest and enjoy time with my family. Enjoy your weekend guys and stay tuned for more vintage treasures from the collection. Cheers… and stay safe!

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McCoy Tyner live at Newport on Impulse! A-48

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McCoy Tyner live at Newport on Impulse! A-48

Live jazz is a wonderful thing.

Wonderful live set by McCoy Tyner at the Newport Jazz Festival in 1963. The first track is “Newport Romp”, and what a romp it is. Up-tempo stuff here with a Clark Terry on fire. He is a guy I haven’t explored much at all. I will try and remedy that, cause he’s great. Plays with a lot of energy, soul, passion and fire, on this outing at least. Another guy I haven’t listen to much at all is Charlie Mariano on the alto sax. Very good player. He’s a cat I definitely will look into more. He’s on a couple of Mingus albums I have and I will listen to them again and concentrate a bit on him. I really like his playing. Very lyrical. His playing on the wonderful rendition of “My Funny Valentine” is absolutely beautiful. The two guys completing the rhythm section together with McCoy are also guys I haven’t heard much from. Namely, Bob Cranshaw on the bass and Mickey Roker on the drums. They both contribute with some really solid playing here.

I must say McCoy Tyner plays brilliantly on this album. He’s a hot favorite when it comes to pianists in jazz. He plays with so much lyricism, power, soul and passion. Technically brilliant, but it’s all feeling. I have a couple of titles of his work as a leader now, but there is so much more to discover when it comes to him. Looking forward to exploring even more in depth.

I think this LP captures the live feeling in a great way. You imagine being there seeing this live, and what a thrill it would have been. Having these cats improvising right in front of your eyes. That’s a sadness I have, not to be able to see many of my favorite jazz artists live. Those days are gone and chances to see them live never existed, being born in the mid 70’s. Imagine to have seen Coltrane, Dolphy, Mingus, Morgan, Bird, Evans etc. live, back in the day… what’s left for me is to watch old videos and listen to a live album like this Tyner session, to try and capture the feeling of what it would have been like, watching this first hand. Sure, you can see a really good band live nowadays as well, but it’s just not the same, is it?

Which brings me to my question for you guys: If you could choose one artist, alive or passed away that you haven’t seen live, who would it be? Got some other questions as well; do you have any tips on great LP’s with Charlie Mariano? Favorite McCoy Tyner LP?

All the snow and the cold is gone here in Stockholm, for now at least. Feels a little like spring is in the air when the sun is shining, the birds are singing and snowdrops are now visible on the ground. There’s hope…

Stay tuned for more vintage jazz vinyl from my shelves. Stay safe everyone… cheers!

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"Olé Coltrane" by John Coltrane on Atlantic 1373

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"Olé Coltrane" by John Coltrane on Atlantic 1373

The title track is a masterpiece.

An eastern, oriental vibe fills the room when I put this Coltrane album on the turntable. Wonderful flute sounds emerges, which accents and complements the oriental flavor of this masterpiece, which is the title track. The flute player is one “George Lane”, who of course is the great Eric Dolphy. Freddie Hubbard plays trumpet on this which is always a treat. He’s always brilliantly tuned on. McCoy Tyner, another favorite, handles the piano duties with his usual passion. Unusually and interestingly, there are two bassists in Reggie Workman and Art Davis. It creates a special vibe, with one playing over the other one with the bow for example. It fits the whole concept great. Elvin Jones plays the drums which always adds that awesome energy. 

The second side is quite a different style. No oriental stuff here. Very pleasing, bluesy stuff though. Hubbard plays superb on Dahomey Dance. The last tune is “Aisha“, which offers some soothing notes to close the album.

I have acquired three Coltrane Atlantics so far; “Giant Steps”, “Olé” and “Bags & Trane”. Aiming to add a couple more. “My Favorite Things” is probably next. I almost got my hands on a deep groove version of that one not too long ago. The search continues…

Some questions for my readers, as per usual: What’s your take on this album? Is “Olé” in your Coltrane top ten list? Do you have a favorite Coltrane on Atlantic?

Right now I’m contemplating adding a Blue Note to the collection. It’s been a long while since I bought one. I have been concentrating on other labels for quite a while. There are so many great titles that have been on the want list forever. I’ll try and pick one title and see if I can get it. The problem is picking only one though. But only one is probably what I can afford right now. It depends on the title of course, but the ones I’m looking at are not cheap. And of course, all original Blue Notes commands some dough. We’ll see what happens.

It’s cold and snowy here in Stockholm. I’m longing for the spring now. Longing for this pandemic to end… stay safe everybody, and stay tuned for more original vintage jazz albums from the collection.

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"Out There" by Eric Dolphy on New Jazz NJLP 8252

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"Out There" by Eric Dolphy on New Jazz NJLP 8252

Dolphy always whips up a treat.

Eric Dolphy recorded some wonderful stuff on the New Jazz label. “Out There” is a superb session. It’s one of those albums that feels fresh every time you put it on the turntable. It’s a brand of jazz that I thoroughly enjoy. It’s not your average hard bop session. It’s unique, full of imagination and features some great work by all musicians involved. For me, an outstanding line-up consisting of Dolphy on alto sax, flute, Bb and bass clarinets, Ron Carter on cello, George Duvivier on double bass and Roy Haynes on drums. I love the concept of the cello in jazz, which I’ve touched on before. That together with all of the instruments that Dolphy plays, which adds so many different flavors, makes the whole thing very interesting. The way Dolphy plays is very special and it makes you want to really listen to him. It’s so full of fire, passion, lyricism, technical brilliance and you can listen to him over and over again, and it feels fresh every time. I feel he is a complete musician. With is vision and innovation, mastery of many different instruments and highly advanced compositional skills.

Like Coltrane and so many other masters one can’t help but wonder what musical paths Dolphy would have taken if he had only lived longer. Still, he left us a great treasure to enjoy and I treasure the albums I have by him very much. If you haven’t listened a lot to Dolphy I can highly recommend you start exploring his work. He is one of the main persons in jazz history for me. He had a very unique voice.

All the tunes on “Out There” are great and each brings a different flavor. It keeps you interested all the way through. My favorite tune is the beautiful “Sketch of Melba” on which Dolphy plays the flute so amazingly. The flute really lends itself well to a ballad setting. And Dolphy takes the instrument to another level.

Like for Dolphy’s previous effort “Outward Bound” the artwork is a painting by Richard "Prophet" Jennings. It really suits the music to a tee.

If you’re looking for the true 1st pressing of this title it can be a bit difficult. Many pressings, as with other New Jazz titles, don’t have the wide deep grooves and the Abbey pressing ring on one side, that signifies a true 1st pressing. A copy having these features means there’s none of the notorious New Jazz hiss. But if you do find a copy, consider yourself one of the lucky ones. My copy sounds great and the cover is nice but with, what it seems to be, a sun bleached spine. I’ll try and secure more Dolphy records, there are many great ones left to acquire.

Some questions: If you could choose only one Dolphy album that you could take with you to a desert island, which one would it be? Have you collected all the Dolphy albums you’re looking for or do you have some title/titles that still eludes you? What are your thoughts on this album and Dolphy’s music in general? Please share.

Stay tuned for more beautiful vintage jazz records… cheers guys and stay safe!

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"Hush" by the Duke Pearson Quintet on Jazzline JAZ-3302

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"Hush" by the Duke Pearson Quintet on Jazzline JAZ-3302

Two trumpets? Yes, please.

Another year has begun. Let’s hope this year will be better than the last one. There’s so much wrong with the world, but let’s keep it all about the jazz here. This record is quite rare from what I’ve gathered. You don’t see it often on the market. Duke Pearson is a cat I haven’t listened to much at all. This is my first album with him on the piano from what I can remember. It’s a mellow and enjoyable album. Not very adventurous, but with some nice and smooth tunes that are easily likeable. It features an unusual pairing of Donald Byrd and Johnny Coles, both trumpeters, as the only horns. I’m a trumpet kind of guy so that’s allright with me.

I can recommend this album if you enjoy straight ahead, lyrical jazz. It features a sweet, melancholy ballad called “Angel Eyes”, where Pearson’s lyrical playing really is on full display.

Last year, in terms of collecting vintage jazz vinyl, was great for me. I got some nice records onto my shelves. A few that were on top of the want-list. This one on display was more of a impulse buy. I saw it being offered on auction and I listened to it digitally first and thought it was great, so I jumped on the chance to try and secure it. Got it for a fair price as well.

I think the sound of the album is a bit muffled and dull. Quite low fidelity. Still, it’s enjoyable. It’s just not blowing my mind away sound-wise, like so many of my other albums do. When you get that energy, that punch and the details of everything makes you marvel over how this could have been recorded so long ago and been preserved so beautifully. This album sounds more like it was recorded in the early 50’s with not the best of equipment, even though it was actually recorded in 1962. It’s a good album and it’s a scarce historical artifact that I’m very happy to own. I now own two albums on the small Jazzline label, this one and “Bash” by Dave Bailey, which is a very good album indeed.

A couple of questions: What was your top find of last year? Favorite Duke Pearson album?

I hope you are staying safe and I like to wish you all a happy new year. Let me just say that I appreciate you guys visiting and commenting on my site very, very much. I love to interact with you guys and I hope we will continue to have some great exchanges during 2021 and beyond. I hope you all will find some great albums this year. Cheers!

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"Far Cry" by Eric Dolphy with Booker Little on New Jazz NJLP 8270

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"Far Cry" by Eric Dolphy with Booker Little on New Jazz NJLP 8270

For me, it doesn’t get much better than this.

Continuing the Dolphy/Booker theme here with an album that I thought would take me forever to find as a true 1st pressing with the deep grooves and Abbey pressing ring on one side. The condition is like new, cover and vinyl. Absolutely amazing. To find the delicate 1st art textured cover in this condition is tough, to say the least. The LP sounds like new. Extremely happy to now own this title.

The music on this session is like you’d expect when it’s Dolphy and Booker sharing the stage, it’s wonderful and full of depth and passion. The album features one of my favorite rhythm sections, consisting of Ron Carter on double bass, Jaki Byard on piano and Roy Haynes on drums. Haynes plays the drums so tastefully, and his sound is always top notch. The snare and cymbal work is so delicate and airy. Jaki Byard is one of my favorite piano players. Him, along with Mal Waldron, Monk, Tommy Flanagan, McCoy Tyner to name but a few. Carter is a wonderful double bassist and cellist. Playing the bass here exclusively.

This is my kind of jazz for sure. There are a few wonderful titles in this kind of vein on the New Jazz label. Looking to acquire them all. Some of them are very difficult to find, like the title on display. Also, one that I really like to find is Mal Waldron’s “The Quest”. I’m keeping my eyes peeled for that one. I have Ron Carter’s “Where”, also very rare. Dolphy’s “Out There” is another one.

Favorite tune on “Far Cry” has to be “Left Alone” where Dolphy’s playing is sweet and melancholy. He sure knows how to play the flute. Another great one is “Miss Ann” where Dolphy and Booker both take superb solos. Booker’s solo on the opening track of Side 1, the Jaki Byard penned composition “Mrs. Parker of K.C. (Bird's Mother)”, is a joy to behold. And Dolphy’s unaccompanied alto solo on “Tenderly” is magical. The whole album is great, and keeps you interested all the way through. Highly recommended.

Got a question for you guys, as Christmas is coming soon: if you could choose one jazz LP from your want list/wish list, which one would you like to find under the Christmas tree this year?

Stay tuned for more vintage jazz vinyl treasures from the 50’s and 60’s… cheers and stay safe!

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"Eric Dolphy at the Five Spot - Volume 2" on Prestige PRLP 7294

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"Eric Dolphy at the Five Spot - Volume 2" on Prestige PRLP 7294

It’s Dolphy and Booker. It’s live. It’s wonderful.

I’ve been on a Eric Dolphy and Booker Little high for quite a while. Both cats are way up there on the list over favorite jazz musicians of all time. They are both total masters of their respective instruments. And in Dolphy’s case there’s quite a few of them. I’ve long been a trumpet kind of guy. I am fascinated with that instrument, it’s sound and what can be created with it. Dizzy Gillespie, Fats Navarro, Clifford Brown, Lee Morgan, Freddie Hubbard, Chet Baker… they all have amazed me. And Booker Little is up there together with all of them. He had an absolutely amazing style of his own, a beautiful tone and technical brilliance. As well as a wonderful sense of lyricism. He died far too young like Dolphy, and so many other jazz greats, at the tender age of 23. His career was brief but he left us a number of great recordings to be treasured and enjoyed.

To have both Dolphy and Booker Little playing together on the same album is a great treat. And add Mal Waldron, who is one of my favorite pianists in jazz, together with Richard Davis, a wonderful bassist who’s output I will explore further, and a superb drummer in Ed Blackwell who has become a strong favorite of mine, elevating himself to stake a claim of being in my top three drummers of all time. You have here an amazing line-up that is hard to beat.

Like this album is hard to beat. It’s truly one of my favorite albums. It’s so brilliantly executed by these five amazing musicians. And it’s live, which is the most natural setting for jazz in my opinion. To have been there at the Five Spot back in the day, witnessing these tunes being played in front of you… what a dream. The LP just sounds incredible. Like new. And the recording is flawless to my mind.

The two tunes featured here is the fantastic, up-tempo whirlwind ”Aggression”, penned by Booker and the soothing, laid back “Like Someone In Love”. Both tunes feature wonderful solos throughout, but my favorite moment of the entire album is Booker’s superbly taken solo on “Like Someone In Love”.

I’ve been trying to find originals of both Dolphy and Booker albums which are musically outstanding, but equally rare, and thus very hard to find as 1st pressings in great shape. Lately I got lucky though and had the chance to acquire several of them, and this album on display is one of them. I actually found two copies in a short space of time. Both in superb shape. This one on display feels like it’s freshly picked up in an 60’s record store, except maybe for one of the labels which shows some age. Stunning condition, jacket and vinyl. Plays like new. The other copy that I purchased first is in great condition as well and sounds like new as well, but has a little warp. So I upgraded and couldn’t be happier. Never expected to find another copy so quickly and in such flawless condition. And it’s flat as a pancake.

Another album that I thought I had to wait forever on to secure as a true 1st pressing I also managed to find lately and place on my shelves. A very difficult to find album with all the 1st pressing details present. And in the condition it was in, almost impossible it seemed. I’m very happy to say the least. It’s a Dolphy album, stay tuned to find out which one it is. And another one, by Booker Little that I have been looking for also made it’s way into my collection. Actually two copies, one is coming next week hopefully. I bought one copy first and it’s a great copy, but I had the chance to upgrade almost straight away, so I couldn’t miss that opportunity. It’s also a rare album that you don’t see often. A musically very interesting and highly enjoyable album. Stay tuned for that one as well coming up.

Then there are several other albums I’ve secured which are all great. It’s been a very exciting time these past months, cause I’ve been able to acquire quite a few titles. Many more than I usually do in that time frame. I’ve been able to beef up the record budget some more to expand the collection. Cause there’s so many albums on the want list and I’d like my collection to grow a bit. Haven’t been focusing on the most expensive of Blue Notes either. Instead I’ve been buying wonderful stuff on labels such as Candid, Impulse!, Atlantic, New Jazz and Prestige. So, plenty of great albums to be posted here on the site in the coming months.

A few questions for my readers: What’s your take on this album? Top 3 live jazz albums of all time? Top 3 albums that feature Eric Dolphy? Top 3 albums that feature Booker Little? Write away guys.

From a vinyl junkie to all of you; have a great rest of the weekend and stay safe. Enjoy your collections. Maybe put a Dolphy or Booker Little album on the turntable? Cheers…

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"Fire Music" by Archie Shepp on Impulse! A-86

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"Fire Music" by Archie Shepp on Impulse! A-86

Fire Music indeed.

I’ve only started to scratch the surface of Archie Shepps’ body of work. This is my only album of his to date. So, I have a lot to discover, which is very exciting. I’ve been close to acquiring his debut as a leader on Savoy together with Bill Dixon and also the “New Thing at Newport” and the “…Live in San Franscisco” albums on Impulse!. His debut on Savoy is great, and I should have pulled the trigger when I had the chance. But I’ll keep my eyes open for another copy.

“Hambone” kicks off this fiery album. There’s plenty of interesting changes, choice of notes and I get an overall feeling of excitement when I listen to this stuff. It’s like nothing else really. Nothing that I have in my collection anyway. It’s a flavor all of it’s own. The sound of this vintage 1st pressing on Impulse! is superb. Like all of my other Impulse! albums it has a very revealing, organic and detailed sound.

I’ve been drawn to the more experimental or freer kind of jazz for quite a while. But I’m digesting things slowly. Coltrane’s later period on Atlantic and Impulse!. Enjoying the work of Mingus and Eric Dolphy. Also some of the Ornette Coleman output on Atlantic. Time to check out some more Archie Shepp albums for sure.

I think this Shepp record is quite beautiful and accessible. If you haven’t listened to it before I can highly recommend it. If you’re interested in something other than your regular hard bop session. Something with a lot of fire and passion. There’s even some poetry in there so look out. Favorite tune is “Prelude to a Kiss”. It’s beautifully haunting. Another favorite is a very nice rendition of “The Girl from Ipanema”.

Questions for my readers: I’m hoping that you guys can give me some tips on some great Archie Shepp albums. Could you give me your top 5? What’s your take on this particular album on display?

I’ve been able to purchase a variety of great albums lately. Several that have been very high on my want list. Very happy to have been able to add them to the collection. Excited to post them here on the site soon. Stay tuned for those coming up.

Stay safe and have a great rest of the week. Cheers!

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"Mingus" by Charles Mingus on Candid CJM 8021

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"Mingus" by Charles Mingus on Candid CJM 8021

Listening to Mingus is always a very rewarding experience.

Eric Dolphy with Mingus, it’s sublime. I can watch the live videos on YouTube from Mingus’ 1964 European Tour over and over again. It’s such a passionate, fiery and deeply interesting brand of jazz. This is my first Candid LP. The label has some great titles to be enjoyed. I have already secured another one just a few days ago. I’m still looking for two very special titles; one with Booker Little as a leader and one with Booker Ervin. I’m sure there are more great titles on Candid which I will of course investigate.

Very happy to have secured the album on display here. It features a couple of wonderful Mingus originals. The band consists of some great musicians, like Eric Dolphy, Ted Curson, Booker Ervin and Dannie Richmond to name a few. I truly love Mingus’ music. It’s so full of life, joy, anger, fire, romance, empathy, artistic expression, compositional excellence and so on. This album is no exception. A wonderful session worth seeking out. I’m aiming to collect a lot more of Mingus’ work. I have a couple more albums of his which I haven’t posted yet, stay tuned for those. I have posted “The Black Saint and the Sinner Lady” and “Mingus Ah Um” before, so check those two posts out if you haven’t already.

This year has been quite productive in getting more titles onto my shelves. I have been fortunate enough to been able to add some great titles in superb condition. I’ve largely stayed away from super high-end stuff on Blue Note for example, and instead focused on some cheaper originals (relatively, compared to the more expensive Blue Notes) like this Candid release and other stuff on New Jazz, Atlantic and Impulse. I have managed to add some heavy hitters as well. It’s been a nice mix of interesting albums from different labels. I’m expecting a couple of newcomers. One hopefully today or tomorrow and one later in the week. Both are superb albums, but one is so outstanding that I can’t wait for it to arrive, so I can put it on the turntable and be blown away. It’s a live session and it has become one of my absolute favorite albums. Stay tuned for that one coming up.

Some questions for my readers: What’s your take on this album? Does it make your Mingus top 10? Top 3 Candid releases? Please share your thoughts guys.

As I write this I just got a note that one of my incoming albums has arrived. I will go out and fetch it. This turned out to be a really good Monday. Stay safe and enjoy your records. Cheers!

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"Tenor Madness" by the Sonny Rollins Quartet & Quintet on Prestige 7047

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"Tenor Madness" by the Sonny Rollins Quartet & Quintet on Prestige 7047

Rollins & Coltrane playing together on one of the tunes.

From one of the true giants of jazz who is still alive. A true classic. Very happy to have been able to add this one to the collection. Sonny Rollins is special to me. As I’ve mentioned before, he is the reason I got into jazz for real back in 2007 when he received the Polar Music Prize, and they showed an old black & white concert on TV with his trio consisting of Henry Grimes and Joe Harris, playing in Stockholm in 1959 at Södra Teatern. I was hooked from that moment on. I love Sonny. I still have a great deal to discover when it comes to his work. But when it comes to discover jazz in general I’m taking small bites out of a lot and let stuff sink in. That means I’ll probably never have any shortage of jazz music/musicians to discover. So, I haven’t listened to all of Sonny Rollins’ albums, and I own just a handful on original vinyl. But I feel “Tenor Madness” is one of the top titles to enjoy so I’m very happy to have secured it.

What makes this album so special is of course the title track, which features both Rollins and Coltrane. It’s the only known recording with these two cats playing together. To have these two giants of the tenor playing together is quite a treat and of great historical importance. Wish they could have done some more stuff together.

The tune “Paul’s Pal” is composed by Rollins and is a favorite of mine, since it was one of the tunes he played together with the trio during that concert I saw on TV back in 2007. The rest of the album is also very enjoyable. I’m sure most of you have heard this recording, but if you’re new to jazz or Rollins and is looking to check out his work I can highly recommend this album together with “Saxophone Colossus”, also recorded for Prestige.

Some questions for my readers: top 5 Rollins albums? Top 5 tenor players of all time?

Autumn is here in Stockholm. The weather changed quickly from summer to autumn. Looking forward to some cozy listening sessions this autumn while the weather is cold and wet outside.

I hope everyone is staying safe and are enjoying their collections. Have a great Sunday. Stay tuned for more great vintage jazz vinyl. Cheers!

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Ron Carter "Where?" with Eric Dolphy & Mal Waldron on New Jazz 8265

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Ron Carter "Where?" with Eric Dolphy & Mal Waldron on New Jazz 8265

My kind of jazz.

Eric Dolphy is one of my absolute favorite musicians. I’ve started to really dive into his catalogue. This led me to this wonderful LP on the superb New Jazz label which I’ve been exploring a lot lately. Ron Carter is the leader here but it’s just as much a Dolphy record for me. It’s very interesting jazz, like it always is when Dolphy is involved, you can always be sure of that.

The other musicians are Mal Waldron, who is one of my favorite pianists, George Duvivier on bass (Carter plays both bass and cello here) and the great Charlie Persip on drums whom I dig a lot. I love that Carter plays cello on this. I appreciate this instrument which is rarely used in jazz. I have another LP on which the cello is featured prominently and that would be the Doug Watkins led album “Soulnik”, also on New Jazz. I wrote a post about that record some months ago. Also, Eric Dolphy’s “Out There” on New Jazz features Ron Carter on cello exclusively. That one is high, high on the want list.

Like I mentioned, I’m exploring the New Jazz catalogue and there are a lot of gems to be found there. A lot of albums featuring Dolphy, Waldron, Byard, Haynes, all these wonderful musicians. So I can highly recommend browsing through all those records. Jaki Byard is another cat who has fast become another one of my absolute favorite pianists in jazz. His playing is so unique, interesting and brilliant. You never quite know where he’s going to take the music. A bit like Monk in that sense. He’s on several New Jazz titles and I’ve already secured one of the best just a week ago. Looking forward to trying to find the other stuff as well. I have the Dolphy album “Outward Bound” on New Jazz which he’s on, and also a couple of Mingus albums on Impulse!. Excited to explore his output further.

This album is truly great, consisting of a type of jazz which I really enjoy. It’s not your standard hard bop date. I can highly recommend this one and I hope you’ll look it up if you haven’t already. And please let me know your thoughts on it. Maybe you have some other favorite Ron Carter albums that you can recommend?

It’s difficult to find an original 1st pressing of this title with the beautiful textured cover, the wide deep groove, the Abbey pressing die ring on one side and Van Gelder stamps. So I’m extremely happy to have found this amazing copy.

I have been quite busy in securing some new titles lately so stay tuned for those coming up. The shipping dilemma during the pandemic I discussed previously has worked out great so far. I’ve been using FedEx, UPS and other express options and all the records have arrived fast and safe. I’ve stayed away from USPS.

Stay safe guys, enjoy the summer and your collections. Have a cold one and just enjoy some jazz. Cheers!

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"This is our Music" by the Ornette Coleman Quartet on Atlantic 1353

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"This is our Music" by the Ornette Coleman Quartet on Atlantic 1353

Listening to Ornette is always a special occasion.

Brilliant album by Ornette Coleman. From the superb bass lines of Charlie Haden, the tasteful drumming (a very light, beautiful touch) by Ed Blackwell to the very original horn playing combo of Cherry and Coleman, this album is a quite accessible, freer prospect. They look very cool on the cover as well, just look at Charlie Haden, almost scary. One of my favorite album covers. You never get tired of this album, it seems to make you appreciate something new every time you listen to it and discover some small detail like it was the first time you heard it. It seems fresh every time you put it on the turntable and enjoy it. I think Ornette’s music is highly original, super interesting and it makes me happy to listen to it. It’s always a welcome break from the other stuff currently on the radar.

It was not long ago I discovered Ornette Coleman and started to listen to his work. I haven’t gone through all of his early work yet. I have purchased this and the “Ornette on Tenor” album. Very happy to have them in the collection. I will hopefully try and secure the “Change of the Century” album soon as well. Have had opportunities to secure the “Free Jazz” album and the “Ornette!” album, both on Atlantic, but on both occasions the condition was not satisfactory. I’m also looking to dive into his first 3 albums sooner or later. Looking forward to that.

For my readers, some questions: Do you have a relationship with Ornette and his music? Please, I you like, share your thoughts on this album and his music in general. Favorite Ornette LP currently?

I’m happy to have secured quite a few new albums as of late. From an array of different labels. A couple have already made their way onto my shelves. I’m waiting for the majority of the titles as I write this. I have chosen to go for FedEx and UPS and other express options, just for some piece of mind during the postal chaos in some countries due to the pandemic. FedEx did deliver in time, super fast and smoothly, but very expensive. Worth it though, for me. Let’s hope the other stuff comes to me fast and intact as well. I will of course post all of the new stuff on the site. I have several other albums in the collection that I haven’t posted as well, so stay tuned. Beautiful original vintage jazz LP’s are coming your way soon.

I hope everyone are staying safe and are enjoying their collections. Have a great day. Cheers…

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"Brilliant Corners" by Thelonious Monk on Riverside 12-226

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"Brilliant Corners" by Thelonious Monk on Riverside 12-226

A special album by a special musician.

Upon hearing the first few notes you just know this album is going to be special and not just another hard bop blowing session. Of course Monk was a special musician and he created special music. He’s one that I haven’t explored fully yet. I know I dig him a lot based on the albums I’ve heard. It will be a pleasure to explore his output more in depth. This Riverside album is one of the very best that the label released in my opinion. I think it’s highly enjoyable. One of my favorite albums in jazz to date actually. The compositions are just so interesting, artistic and thoughtful.

The line-up is stellar, with Monk joined by Rollins on tenor, one of my favorite alto players Ernie Henry (who released some real gems on the Riverside label as a leader), Oscar Pettiford on double bass and the always superb Max Roach on drums. On “Bemsha Swing” Clark Terry replaces Henry and Paul Chambers replaces Pettiford.

Favorite tune has got to be the title track. It’s phenomenal. Monk’s sidemen apparently struggled to record it, as it’s quite complex in nature. 25 takes was attempted and the tension between Monk and Henry almost made Henry break down mentally. Producer Orrin Keepnews pieced together the tune for the album from multiple takes as not one completed single take was available. That’s what I’ve read. Very interesting to me, as a musician, I know there’s some pressure in recording a complex tune in one single take. I think it sounds great on the album and it’s not obvious it’s based on multiple takes.

All the other tunes are pretty awesome as well. Aside from the title track I especially like “Pannonica”, on which Monk plays the celeste, and of course “Bemsha Swing” which has a cool feature in Max Roach playing the tympany, which adds a nice flavor to the tune.

This 1st pressing is rare. When searching for a first issue, keep a look out for the correct address on the back cover which should read; 418 West 49th Street. Very happy to have this in my collection, it’s such a classic.

A few questions: your thoughts on this album? Favorite Monk releases? (here I’m looking forward to some great tips from you guys).

Summer is here in Stockholm and vacation time is just around the corner. I’m going on a road trip with the family to the south of Sweden in just over a week. Looking forward to that. I’m working on some deals for some new additions as well. I could be welcoming some superb albums to the shelves before long. I’ll keep you posted.

Have a great day, stay safe and enjoy your collections. Cheers!

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Cookin' with the Miles Davis Quintet on PRLP 7094

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Cookin' with the Miles Davis Quintet on PRLP 7094

Another one of Miles’ classics.

Here’s an album that I’ve had in my collection forever. One of the first 1st pressings I bought. Haven’t got around to post it until now. It’s the 4th classic Quintet album that I’ve posted, but the 1st to be released out of the four albums recorded on May 11th and October 26th, 1956.

“My Funny Valentine” sets the mood. Haunting notes supreme in the beginning. What follows is a wonderful rendition of this classic. Garland’s solo is great. The entire LP is a joy to listen to and it’s been a good while since I did just that. Everytime I listen to these four records (Cookin’, Relaxin’, Workin’ & Steamin’) the question of which one is the best always slips into my thoughts. And everytime I put one of these records on the turntable, I always start to ponder; maybe this is the best one? They are all great. Maybe you could look at these four records as a combined session of songs? As one statement in time. I don’t know. But if I had to choose a favorite of the bunch I think I’ve made my mind up a long time ago that it is Workin’ for me.

As for the presence of Miles in my collection, I really need to step up and get some more stuff in there. I have PRLP 7014, with the later green cover without the old typeface on the Prestige logo. Looking for that one with the 1st art cover. I also have a beautiful PRLP 7034 with a 447 address instead of a 446 address on the jacket. Looking for a copy with the 1st jacket there as well, as the proud 1st pressing fundamentalist that I am :-). PRLP 7007 and PRLP 7012 are some other Miles albums which I’m looking for 1st pressings of, as I have 2nd NYC pressings of both. So, there is definitely work to do, not to mention trying to get copies of all the other great stuff he released.

The warmer weather, green trees and sunlight is coming more and more here in Stockholm which means there is not too long to go until the summer vacation. Just shy of a month to go actually. Looking forward to that, even though it will probably be a vacation here in Sweden and not California which I really wanted.

Staying a bit hesitant to purchase albums right now, as a result of the pandemic which has taken away the assurances of parcels coming here on time. I’m a bit scared of ordering expensive stuff from abroad as long as the air traffic hasn’t returned to a more normal state. How about you guys? Are you receiving packages from abroad or are you not purchasing at all due to the current state of affairs? If you have some info, please share.

Back to the album on display; what’s your thoughts on it? Top 5 releases by Miles? Looking forward to hearing your tips guys.

Stay healthy, enjoy life and the amazing gift to mankind that is called jazz. Stay tuned for more great vintage jazz vinyl… cheers!

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"Soulnik" by The Doug Watkins Quintet featuring Yusef Lateef on New Jazz NJLP 8238

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"Soulnik" by The Doug Watkins Quintet featuring Yusef Lateef on New Jazz NJLP 8238

A quite special album featuring some rarely used instruments.

Doug Watkins only recorded a couple of sessions as a leader. One was recorded in 1956 for the Transition label called ”Watkins at Large’” and the other one is the album I’m displaying here, recorded in 1960. It could possibly have been more, but he died young at the age of just 27 in a car accident. Despite dying so young he appeared on a lot of albums as a side man. One of my favorite jazz albums, ”Candy” by Lee Morgan, is one of them.

This album has got a really nice feel to it. It feels quite special and very cohesive. Much has to do with the kind of instruments being prominently featured on this record. Like the cello, which Watkins plays exclusively here. And the flute and oboe, played by master musician Yusef Lateef. The flute as an instrument in jazz has massively grown on me lately. Much thanks to cats like Eric Dolphy and Lateef who both excel on this instrument. I didn’t care for it particularly much before I heard what can be done on it, by the before named cats. The rarely used cello is a nice instrument in jazz as well and Doug Watkins is playing it very nice indeed. Hard to believe he only started to play it three days before the recording session, according to what I’ve read. Another cat who brings the cello to great heights in jazz is Ron Carter who plays it on Dolphy´s “Out There” (also on New Jazz) session for example. I’d say; more cello in jazz please.

Favorite tune is the 1st track on Side 2 “Andre’s Bag”, which has a superb melody that sways you along. You sink into the music and quickly realize how wonderfully different jazz can sound, with the right cats playing the right instruments. The cast of this show is Watkins on cello, Lateef on flute & oboe, Hugh Lawson on piano, Herman Wright on bass and Lex Humphries on drums. Humphries is playing it cool with such a nice, light touch and feeling on this album. A great drummer with a great sound indeed.

Yusef Lateef is a cat I really have been enjoying the last year or so. He has released some truly great stuff. I’ve been close in securing a few of his titles as a leader but it hasn’t happened yet. But I’m looking forward to acquiring a number of his albums. He has a unique sound and approach to jazz.

The New Jazz label has got a wonderful catalogue to explore. I’d urge anyone who hasn’t explored the label to do so. I’m only starting to explore it in depth, even though I have of course listened to a number of titles and own a few titles since earlier.

Some questions for my readers: Your top 5 New Jazz releases? What’s your take on the cello, flute and oboe featuring in a jazz setting?

I have a few days off from work now and I will just relax with the family and hopefully get a few listening sessions in. I’m hoping everyone is staying safe and healthy. Enjoy your collections folks. Stay tuned for more original 1st pressings from the classic era of jazz. Cheers!

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"Blue's Moods" by Blue Mitchell on Riverside RLP 336

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"Blue's Moods" by Blue Mitchell on Riverside RLP 336

What a great cover…

I love the Riverside label. So many great albums. I like the sound as well. On this album the drums for example sound a bit low-fi at times, but natural and I like that. I was after this Blue Mitchell album for a long time. Had some opportunities to acquire it though but never pulled the trigger. Then I realized that one of my go-to contacts had this and felt the time was right to get it. It’s a great hard bop date with finesse and some superb tunes and wonderful trumpet playing by Blue. It features a great cast of players with Wynton Kelly on piano, Sam Jones on double bass and Roy Brooks on drums. This rhythm section is very interesting and I would very much like to hear them in a trio setting.

It’s a great mix of tunes supplying a lot of what I’m looking for in a hard-bop album. It’s quite relaxed and smooth. All the tunes are highly enjoyable. If I had to choose some favorites it would be the whole of Side 1. Side 2 is also great, but the first side is really doing it for me. I especially love the slow blues “Kinda Vague” which features some interesting stuff on the hi-hat by Roy Brooks. The 1st track on Side 1 is the great “I’ll Close My Eyes” which has been my ring tone on my mobile phone for years.

A lot of questions for my readers: What’s your thoughts on this album? Where do you place Blue Mitchell among all the great trumpet players of jazz? Do you have a favorite Blue Mitchell album? Any tips?

For me, Blue Mitchell really is a top cat and I’m planning to try and get a lot more albums featuring him. He released quite a few more on Riverside where he also made his debut as a leader in 1958. I will be looking at those for sure as well as his Blue Note output.

The status on getting hold of new arrivals is on hold, due to the corona crisis, which makes getting stuff from overseas tricky and maybe not completely reliable. I will maybe buy some stuff but telling the sellers to wait to send the packages until the worst of this is over. I’m not sure how reliable it is to send parcels right now across the world. Are any of you guys taking the risk or have had any experience of sending/receiving stuff during this period?

I’m hoping you’re staying safe and healthy and that you enjoy your collections. Maybe put a Blue Mitchell album on the turntable, relax and just enjoy the music.

If you’re looking for a section containing all my earlier posts sorted by month and year, click on “Post History” in the top menu. Stay tuned for more vintage treasures coming up. Cheers!

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The John Coltrane Quartet Plays on Impulse! A-85

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The John Coltrane Quartet Plays on Impulse! A-85

A great Coltrane album which I highly recommend.

This is one of Coltrane’s best in my opinion. It opens quite evocative with the wonderful theme of “Chim Chim Cheree” swaying and enchanting me while Coltrane gets more and more into his magical sphere of improvising. McCoy Tyner brings it down with thoughtful and mesmerizing waves of brilliant notes, light and feathery, as well as powerful chords on the keys. Then Coltrane brings it up again into the clouds and beyond to the beat of Elvin Jones’s relentless yet dynamic battery as well as Garrison’s steady double bass. Back to the theme and they bring it home, soothing it down… just brilliant.

“Brazilia”, the wonderful name of the tune peaks the interest. What kind of genius playing is cooked up in here you wonder. Is it samba-infused? Nah, hardly. When Elvin’s great drum roll snare and Coltrane’s improvisation over that comes to a conclusion and then when the entire band sets in, that’s pure magic. And the rest of the tune just flows ahead and you’ll get lost in the music in a wonderful way. What a sound as well from this vintage Impulse! 1st pressing.

Another special highlight of this album is Jimmy Garrison’s bass solo in the beginning of the last tune. For me, absolutely fantastic. Favorite tune…? Hm, it’s very difficult to choose just one on this one. But I’m leaning towards “Brazilia”. This album is highly recommended to all lovers of Coltrane and progressive 60’s jazz in general.

I have picked up some great Coltrane stuff the last months and I can’t get enough. Always looking for my next Coltrane album. There are many records still to hunt down. But the few ones I have managed to get hold of I’m very happy with. Very proud to have any Coltrane 1st pressing from the era in the collection.

Question for my readers: If you would have to choose 5 Coltrane albums as your personal picks from his catalogue, which ones would it be? Please share guys.

The good thing about Coltrane and the magic of his music, is that you forget everything else around you, cause it drags you in and demands your full attention. Which in these pandemic times, is a very good thing indeed.

Enjoy listening to your collection folks and stay tuned for more great albums coming up soon. I’ll try to put up albums a little more often maybe than I’ve been doing. We’ll see. Anyway… cheers!

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Workin' with the Miles Davis Quintet on PRLP 7166

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Workin' with the Miles Davis Quintet on PRLP 7166

A favorite out of the classics.

This starts off with one of the most beautiful ballads in jazz history in my humble opinion; “It Never Entered My Mind”, it’s perfection. Miles’ muted trumpet (which he was a master of), playing one beautiful note after the other. Philly Joe’s wonderful work with the brushes to complement that. Garland’s laid back piano. And the tasteful double bass work by Chambers. Coltrane is not needed on this tune for sure. For me, this first tune is the highlight of the album. The rest of the album is very laid back and easy to love. Smooth and tasteful is the theme here. Coltrane plays nice on this album, but having listened more in depth to his later work as a leader, it’s just not comparable. Boy, did he evolve. But his playing here fits in nicely with the overall style of course.

Out of the four albums Cookin’, Relaxin’, Workin’ and Steamin’, this perhaps is my favorite. All four of them are wonderful though and highly recommended if you haven’t heard them before, which I very much doubt.

I have acquired some great stuff these past months. More than usual. The reason for being able to purchase a greater quantity of albums is that I’ve been adding titles on labels such as Atlantic, Impulse! and Columbia, which are much cheaper prospects than the high-end Blue Note and Prestige titles for example. I’ve managed to mix these up with a couple of Riversides (one is a real classic) and a superb New Jazz release. These are a little more expensive than the Atlantics and Impulses (except for the WLP copy of A Love Supreme), but we are not talking Blue Note money. I’m very happy with these new additions, which I will start posting on the site in the coming weeks and months. Keep an eye out for those.

Regarding this Miles effort on display; in your opinion, how does it hold up compared to the other first great quintet releases? Do you have another favorite?

Stay tuned for more original vintage jazz collectibles… cheers!

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